I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
This novel weaves three unique stories told by three very distinctive gay men who live in London at completely different periods of time. What unites them? Internalised homophobia, something as a gay person I remember from a long time ago. Each character yearns for someone. Each in a distinct way. Rent boy, Jack, longs for his regular client, Oscar Wilde. Lonely artist Colin desires the model he paints while staying closeted in the 1950s. And David’s desire lands him in prison in the 1980s.
Each story travels at the same pace with each character reflecting similar highs and lows. And you don’t have to be gay to identify with this well-written novel.
"London itself is as powerful a presence here as the three gay men whose lives it absorbs." —The Times Literary Supplement
"Vivid and visceral, London Triptych cuts deep to reveal the hidden layers of a secret history." —Jake Arnott, author of The Long Firm
Rent boys, aristocrats, artists, and criminals populate this sweeping novel in which author Jonathan Kemp skillfully interweaves the lives and loves of three very different men in gay London across the decades.
In the 1890s, a young man named Jack apprentices as a rent boy and discovers a life of pleasure and excess that leads to…
This is the first of a trilogy of which any book in the series is worth reading. In this farce written long before marriage equality, a gay man hatches an outlandish scheme to throw a wedding, just for the expensive gifts. What follows is a comedy that incorporates blackmail and the mafia. You read this novel for pure pleasure, enjoying the clever one-liners while the plot spirals out of control. Flamboyant, camp, and ridiculously funny.
Set in contemporary New York, this book revolves around four characters, all either unemployed or barely employed. The calamities begin when Gilbert, who is gay, and Moira, an arch bitch, devise a seemingly brilliant plan to swindle their respective monied families - by getting married.
This is deliciously dark. It’s a tale about Eric, a twisted teenager who has tied up a home invader and is keeping him downstairs while his mother has left him alone. She’s busy trying to seek fame overseas. Eric keeps his teachers and his classmates unsettled while paying his daily expenses by entertaining older clients in Sydney’s richer suburbs.There is nothing charming about this story, yet its cast of disturbing eccentric characters makes this a real page turner.
A school in turmoil over its senior play, a sly career as a teenage gigolo, an unpredictable girlfriend with damage of her own, and a dangerous housebreaker tied up downstairs. Any of these would make a great plot for budding filmmaker Eric's first movie. Unfortunately, they're his real life. When Julien, a handsome wannabe actor, transfers to Eric's class, he's a distraction, a rival, and one complication too many. Yet Eric can't stop thinking about him. Helped by Eric's girlfriend, Mary, they embark on a project that dangerously crosses the line between filmmaking and reality. As the boys become close,…
To be fair, there is a love story featured in this novel, but it’s not at the heart of this tale. This is a historical piece full of captivating characterisation. Robin is a burly man who’s clumsy and unpopular in the small coastal town he lives in. But a horrendous storm is brewing, and Robin takes it upon himself to gather the townsfolk and get them to shelter at The Moth and Moon, the local pub. The world building is excellent. All characters are well realised. Most are eccentric. None are forgettable. And these elements make this tale truly charming.
In the summer of 1780, on the tiny island of Merryapple, burly fisherman Robin Shipp lives a simple, quiet life in a bustling harbour town where most of the residents dislike him due to the actions of his father. With a hurricane approaching, he nonetheless convinces the villagers to take shelter in the one place big enough to hold them all—the ancient, labyrinthine tavern named the Moth & Moon.While trapped with his neighbours during the raging storm, Robin inadvertently confronts more than the weather, and the results could change everything.
Charlie is homeless and lives in an abandoned carnival, just one of the places full of wonder and mystery in this novel. He is sometimes fed by a mature-aged gay couple and has an unrequited love. But he dies and we continue reading his story in a surreal version of the world he inhabited while alive. Yes, Charlie is a ghost. The carnival he still lives in has a life of its own, and he needs to protect the living who showed him kindness. A truly beautiful tale.
My name’s Charlie. I’m many things, though none of them having to do with any real talent. I’m a runaway, a hustler when I need to be, a ghost when I have to scare hoodlums away from my home, and a loner who maybe reads too much. But most of all, I’m the keeper of the carnival. That’s how I see myself. I look after the place ’cause even dying things need to be cared for. Maybe it’s illegal. Maybe that rusty metal fence around the carnival is supposed to keep me out too. Or maybe me and this place…
Winter Masquerade is a novella where Ferris finds a safe haven, away from his abusive partner. He wakes aboard an enchanted ocean liner where the eccentric inhabitants are gearing up for a masquerade ball. He has no idea how he got here, but he desperately wants to go home to his boyfriend.
The alchemist is the only person who can help Ferris, but he’s been kidnapped. The ransom is high tea with scones and jam. Meanwhile, the passengers are gearing up for the Winter Masquerade, a ball where love and magic reign.With a murderous musician, an absent boyfriend, and a mystical party, Ferris soon learns that Wednesday is not the day to fall in love.
I grew up a fan of an evening news segment called “On the Road with Charles Kuralt.” Kuralt spotlighted upbeat, affirmative, sometimes nostalgic stories of people and places he discovered as he traveled across the American landscape. The charming stories he told were only part of the appeal; the freedom and adventure of being on the open road ignited a spark that continues to smolder. Some of my fondest memories from childhood are our annual family road trips, and I still jump at the chance to drive across the country.
Head West in 1865 with two life-long friends looking for adventure and who want to see the wilderness before it disappears. One is a wanderer; the other seeks a home he lost. The people they meet on their journey reflect the diverse events of this time period–settlers, adventure seekers, scientific expeditions, and Indigenous peoples–all of whom shape their lives in significant ways.
This is a story of friendship that casts a different look on a time period which often focuses only on wagon trains or gunslingers.
After four years of adventure in the frontier, Win Avery returns to his hometown on the edge of the prairie and tracks down his childhood friend, Jeb Dawson. Jeb has just lost his parents, and, in his efforts to console him, Win convinces his friend to travel west with him―to see the frontier before it is settled, while it is still unspoiled wilderness.
They embark on a free-spirited adventure, but their journey sidetracks when they befriend Meg Jameson, an accomplished horsewoman, lost on the Nebraska prairie. Traveling together through the Rocky Mountain foothills, they run into Gray Wolf, an Arapaho…
